http://arte.univ-ovidius.ro/images/cv-cadre-didactice/v2/CV%20%20Lelia%20Rus.pdf
http://arte.univ-ovidius.ro/images/cv-cadre-didactice/v4/3_Pedagogia_artelor_plastice_si_decorative/Lelia_Rus_LL.pdf
LELIA RUS PÎRVAN
e-mail: leliarus@yahoo.com
Date of birth: 10.04.1978
Education
2003 -
2010 Doctoral Studies (PhD) in Visual Arts. Title
of the doctoral thesis: "The female form between theoretical premises and
personal solutions"
2004 - 2007 Postgraduate course: "Fundamentals of restoration and preservation", organized by the Romanian Ministry of Culture. Graduated in 2007, with the specialization in archaeological restoration of ceramics
2002 -
2003 Postgraduate
course in psycho-pedagogy, at the National Academy of Arts in Bucharest
2002 -
2003 Master
Degree. Title of the dissertation: "No man’s land". Dissertation
supervising Professors: Paul Vasilescu,Aurel Vlad
1997 -
2002 National Academy of Arts in Bucharest,
Faculty of Visual Arts, sculpture section, Professor Vasile Gorduz
1995 Summer school at the College for Visual Arts in Bielefeld -
Germany
1993 -
1997 High School of Arts in Constanta, sculpture section
2013 - Present, Department
Coordinator, Constanta Art Museum
curator for
several exhibitions of Contemporary Art
2010 - Present, Senior Lecturer.
Phd. - Faculty of Arts
"Ovidius" University of Constanta
"Ovidius" University of Constanta
2017 Erasmus
Internship at the University Politecnico de Lisboa,
Escola Superior de Educacao
Lisboa
2014 Erasmus
Internship at the Aristotle University of Thessaloniki
"Negative Relief, Techniques and Representation"
through LLP Erasmus
2013 Erasmus
Internship at University of Nevşehir - Turkey
"The Tree of Life - Between
Tradition and Modernity"
2004 -2013 Professor of statuary
sculpture, College of Arts "Queen
Mary" Constanta
2004 -2006 Restoration Expert -
Heritage Department, Archdiocese of Tomis
2002 -2004 Visual Arts Teacher,
School No. 193,
College "Petru Maior", Bucharest
Solo exhibitions
2017, Sulmona, Italy, Novas Formas, together
with Monticeli & Pagone
2016, Constanta, Feminin Landscape, Constanta
Art Museum
2016, Tulcea, Feminin landscape, Tulcea Art Museum
2014, Bucharest, Desen,
”Friedrich Schiller”, German House of Culture
2013, Bucharest, Desen, Solo exhibition
2010, Constanta, “Genul: Feminin”, Solo exhibition
2007, Bucharest, “3 Kannon”
(Symbols) together with Marieta Besu and Ludmila Grajdean
Ionescu, Occident Gallery
2004, Constanta, “The female
form - always beautiful and for itself” with illustrator Marieta Besu, Museum
of Art
Group exhibitions
2017,
Circolo d'Arte e Culture "Il Quadrivio" di Sulmona, Italy
2017, Constanta
Casino, World Festival of Arts and
Interculturality "Ovidius"
2017, Elements of Nature in Ovidius
poetry, Trakya University, Edirne,Turkey, participant and organizer
2017, Elements of Nature in Ovidius' poetry, Ovidius University campus, Corp A, participant and organizer
2017, European Bridges, Senso Gallery, Bucharest; Constanta Art Museum
George Apostu Cultural Center, Bacau
2017, The Road of Exile - Bimilenar Ovidius, Graphic Exhibition, Italy - Sulmona
2017, The Exile Road - Bimilenar Ovidius , Romanian Cultural Institut, Rome
2017, The Exile Road - Bimilenar Publius Ovidius Naso Brindisi
2017, The Road of Exile - Bimilenar Publius Ovidius Naso Greece - Corinth
2017, The Road of Exile - Bimilenar Publius Ovidius Naso Bulgaria -Nessebar
2017, The Road of Exile - Bimilenar Publius Ovidius Naso, Balchik
2016, Ex Libris Constantin Brâncuşi Travel Exhibition, Edirne - Turkey
2016, Ex Libris Constantin Brâncuşi traveling exhibition, Thessaloniki - Greece
2016, Fluides, Romanian-French drawing exhibition, Romanian Cultural Institute - Paris
2016, The Queen's Gardens, 60th
Anniversary Exhibition from the National College
of Arts
"Regina Maria" Constanta
2016, Dobrogean plastic prints, Culture House of the German minority in
Bucharest "Friedrich Schiller"
2016, Ex Libris Constantin Brancusi Exhibition, Edirne - Turkey,Thessaloniki - Greece
2015, Group Exhibition, CERONAV, Constanta
2015, Intercultural Exhibition, Sandvika - Norway, Constanta Art Museum
2015, European Bridges, Senso Gallery, Bucharest; Constanta Art Museum
2014, Balchik, Queen Maria Castle, "Contemporary Painters in Balchik", in collaboration with the Cotroceni National Museum
2014, Constanta Art Museum, "European Bridges" and "Ape", in collaboration with UNA Bucharest
2013, University of Shumen
Gallery, "Contemporary art practices", Shumen, Bulgary
2013, European exhibition
project "Danube Spirit in Port Communities", Constanta, Calarasi,
Ruse- Bulgary
2013 "Insights into the
Dobrogea landscape" Constanta Museum
of Art
2013 Art Show "Back to
Bases", House of Parliament , Bucharest
2012, Art Boutique Gallery, "Heraldica
Luminii", Constanta
2012, "The Holocaust. Interrupted Destinys" - George Apostu Cultural Center, Bacau
2011, ”The Light
River”, crossborder project with bulgarian artists and ”Ovidius
University”
2011, ”Contemporary Balcik”,
Museum of Art,Constanta
2011, ”Per Art”,
International Art Festival, ”Art Boutique”-Tomis Mall
2011, Bucharest, ”Interferenţe Dobrogene”, House
of Parliament
2010, Constanta, “Saloanele Dobrogei”, Museum
of Art
2010, Constanta, “Expozitia Atelier 35”, Museum
of Art
2009, Constanta, “Winter Salon”, Museum of Art
2009, Constanta, National Art Salon,
“Contemporary Attitudes”, Museum of Art, traveling exhibition
2009, Bacau, “Ateleir 35”, Gallery “Alfa”
2009, Constanta, “Scale of flowers”, Museum of
Art
2009, Constanta, charitable exhibition
“Rotary”, Museum of Art
2009, Constanta, religious art exhibition, “Ion
Jalea” Museum of Art
2008, Constanta, “Together for Adi Cornel”,
charitable exhibition, Palace Art Gallery
2008, Winter Salon, Museum of Art, Constanta
2007, Constanta, UAP Winter Salon - Museum of
Art
2007, Constanta, “ Days of Constanta”, Museum
of Art
2007, Constanta, “Atelier 35”;, Museum of Art
2007, Mamaia, “Vibration-colored plastic and
Volume”; Mamaia Gallery
2007,Constanta-Sulmona, Rome (Italy)- Festival
of Contemporary Art and Culture “Ovidius” traveling exhibition
2007, Constanta, UAP Winter Salon, Museum of
Art
2006, Constanta, UAP Summer Salon
2006, Aiud, “International Biennial of small
graphics”
2006, Aiud internaţionlă mail-art exhibition,
titled “ The Nude”
2006, Bucharest, “Roll-Up Art”; at the festival
“I love Bucharest”
2004, Constanta, exhibit “Staircase with
flowers”, Museum of Art
2003, Bucharest, “The reception of young
sculptors in UAP”, Orizont Gallery
2003, Bucharest, “Accents and Prints”, Gallery
Galatea
2003, Bucharest, “Small Sculpture Salon”,
Orizont Gallery
2003, Bucharest, “Grup exhibiton”
2003 Apollo Gallery, Bucharest , TNB, floor 3 /
4
2002, Bucharest, Czech Cultural Center, “Kafka
and other stories ...”
2002, Bucharest, Salon d’Automne, Apollo
Gallery
2001, Bucharest, “Accents and
Prints”, Simeza Gallery
2001, Bucharest, “ Small Sculpture Salon”,
Simeza Gallery
1998, 2000, Constanta - Museum of
Art, Group Exhibitions
1999, Constanta, Rotary Club, Jalea Museum
Art
Camps
2017, Eforie Nord, International Artist Women's
Camp "European Bridges" 15th edition
2015, Eforie Nord, International Women's
Camp "European Bridges" XIII edition
2014, Eforie Nord, International Women's Camp "European Bridges", XIIth edition
2014, Balchik, Bulgaria, National Symposium of Painting and Graphics
2013, Ostrov, International Art Camp, European "Danube Spirit in Port Communities"
2013, Balchik, Bulgaria, International Painting
and Graphic Camp
2011, 2012, the organizer for
students sculpture camp in Dervent Monastery
2011, Balcik, Bulgaria, international painting
camp
2010, Borsec, painting camp, organised by “Eli
Wiesel Institute, Bucharest”
2001, Hunedoara , sculpture camp
2001, Illes of Porqerolles – France, Restoration
Camp
1999, 2000, - Techirghiol, Rotary
Club, Sculpture Camp
1998, Şurdeşti, Sculpture Camp
2017 Special
Prize of the Jury at 44° Rassegna Internazionale d'Arte Contemporanea Sulmona,
Italy
2016 Excellence Award - Ceramic Section, at the Art Constent "Dr. C. Teodorescu " Birlad, Romania
2016 Excellence Award for the Symposium Ex Libris Constantin Brancusi
2010 First
Prize for Constanta at ,”Saloanele Dobrogei” - national exhibition
2006 Third Prize for “Ex Libris”, Bacau -
Centenary “George Apostu” Contest International Ex-Libris, the nineteenth
edition, “Sturdza” Library
Reviews
"In the effervescent and diversified offer of Romanian contemporary arts in the last past years, young visual artists, graduates of the National University of Arts in Bucharest, have legitimately won their recognition. Among them, Lelia Rus has imposed herself even since her school years as a distinct voice, with a unique, yet convincing discourse. She has affirmed her aesthetic beliefs through a series of sculptural compositions that brought her a remarkable success at the end of her study. With regard to the form, it can be stated that by means of laborious and carefully orchestrated themes of visual art research, she managed to bring together in polyvalent structures the charming attributes of modelling, of stencil work, but also of materiality obtained by means of burning. On the other hand, with regard to her aesthetic option, one can ascertain a responsible orientation towards the seduction of the female form in sculpture with explicit or connotative aspects, an orientation that exhibits an evident maturity in dealing with them.
"Univ. Prof. Dr. Mihail Manescu
Dean of the Faculty of Visual Arts
National University of Arts - Bucharest
"….Finally, the third level of investigation uses either the face, or the body of the woman, or even only parts of it, such as hands, thighs, breasts, belly, as basis for symbolic constructs. A three-dimensional approach shows that the woman - gate equivalence in the work of Lelia Pîrvan – Rus does not avoid the expressivity of concrete forms, by means of distinction, individuation, isolation, combination and sometimes repetition, making a strong impression upon the viewer, offering him initiation and poetry at the same time."
Doina Păuleanu, "Disecţii tandre", in the periodical publication Tomis - July 2004
"Univ. Prof. Dr. Mihail Manescu
Dean of the Faculty of Visual Arts
National University of Arts - Bucharest
"….Finally, the third level of investigation uses either the face, or the body of the woman, or even only parts of it, such as hands, thighs, breasts, belly, as basis for symbolic constructs. A three-dimensional approach shows that the woman - gate equivalence in the work of Lelia Pîrvan – Rus does not avoid the expressivity of concrete forms, by means of distinction, individuation, isolation, combination and sometimes repetition, making a strong impression upon the viewer, offering him initiation and poetry at the same time."
Doina Păuleanu, "Disecţii tandre", in the periodical publication Tomis - July 2004
No comments:
Post a Comment